The idea consists of two overlapping layers. The first is more material-oriented and is made of a silkscreen print playing with the theme of verisimilitude and reproducing an essence. The second, more graphical, consists of a decoration, based on the recurrence of an oblique line with four patterns. Starting from its format, the project represents a novelty. Instead of working with standard dimensions, the new line uses Lea Slimtech staves (20 x 200 cm) made to a new thickness of 5.5 mm.
Type 32 sets off with materials but then moves on to transcend them, transporting them to an abstract level where invention lends additional meaning to the word decorum, rewriting a new language, yet as familiar as the first four letters of the Greek alphabet: alpha, beta, gamma, delta.
The inspiration ranges from art to graphics, but the themes of illusion and memory are also present. As in certain dreams, or better still, in certain visions, it becomes something other than itself, reinterpreted as pure image through a contemporary language that transforms the material into a mirage, while the classic ornamental lines become potentially infinite surfaces. A large carpet, basically.